Level bars jumping along a baseline while the line and its kicker settle into the pill above them.
The overlay for the moment the audio is the point: a mix drop, a snippet of dialogue, a sound worth hearing over a scroll. Put it a beat before the bit rather than on top of it, so someone unmuting still catches the thing they unmuted for. The kicker is what makes it worth doing: for this bit does more than a bare sound up.
Put it a beat before the bit rather than on top of it, so someone unmuting still catches what they unmuted for. The kicker is what makes it worth doing: FOR THIS BIT does more than a bare SOUND UP. The level bars colour is the accent.
Sound Up is built at 640 × 360, a 16:9 landscape frame, the shape of a YouTube video, a stream layout and most editing timelines, and runs 3 seconds at 30 frames per second. It arrives in 0.7 seconds, holds for 1.9 and clears in 0.4, so cue it a beat before the moment it labels. Export it as an MP4 for a timeline or a feed, a GIF where video will not embed, or a MOV with an alpha channel to lay it over footage with nothing behind it. Renders go up to 4K, and the free plan exports at 720p with a watermark.
This is smaller and later, an overlay for one specific moment. Turn Sound On is the opening cue for a whole video. Use this for a bit, that for the clip.
No. They jump on an authored pattern. Exports are silent, so the bars stand for sound rather than measuring it.
